De sidste vredesord imod ’islamofobi’

Omtale i RetorikMagasinet 100 (2016)

Charb (Stépahne Charbonnier): Hvordan de som råber islamofobi i virkeligheden går racisternes ærinde. Informations Forlag, 2019, 90 sider.

De sidste vredesord imod ’islamofobi’

Er karikaturtegneren som tegner en jihadist, islamofob? Hvis interesser tjener det at anklage tegneren for at være islamofob? Og er ’islamofobi’ i virkeligheden et dække for racisme? Det er store og evigt aktuelle overvejelser som fylder siderne i Hvordan de som råber islamofobi i virkeligheden går racisternes ærinde.

Bogen er skrevet i et smældende skarpt sprog af Charb, også kaldet Stépahne Charbonnier, få dage før han som chefredaktør på Charlie Hebdo blev offer for terrorangrebet mod satirebladet.

Uanset med hvilken overbevisning man som læser åbner denne lille bog, så leverer den med garanti nye perspektiver på (sær)behandlingen af muslimer i vestlige samfund.

Annons
Shadows in the Cave. Revisiting Mats Rosengren’s Doxology
Shadows in the Cave. Revisiting Mats Rosengren’s Doxology

Caves, images, and symbols are recurring topics in the work of Mats Rosengren, from his reading of Plato in his dissertation Psychagōgia – Konsten att leda själar, to his investigation of the world of paleolithic cave art in Cave Art, Perception and Knowledge. While other philosophers might have descended into the cave with the aim of guiding visitors back up into the blinding light of eternal truths, Rosengren seems to be at home in the underworld. Instead of dismissing the paintings that adorn its walls as merely shadowy copies or distorted images, or claiming that the truth of these pictures is readily available to us, Mats Rosengren invites any traveler joining him to understand them as different forms of sensemaking, forms which at first might appear foreign, but that, upon closer inspection, reveal themselves in all their complexity. In this volume, the contributors take on some of the key themes found in Rosengren’s work, mirroring the stylistic, generic, and topical range that characterizes it. The volume is titled “Shadows in the Cave”, signaling a focus not on eternal truth, but – alluding to Plato – on the shadowplay of our human caves. Läs mer...

 


 

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